Munkacsy Connection

by Elizabeth A. Olejnyik

 

Quiet
 in my Seattle kitchen
Noon sunlight
Two bruised oranges
A tan vase with vines curling about its lip,
    holds a delphinium bouquet
Spent blossoms drop
                            one by one
into a blue pool
upon the woven, green-checked table cloth

Disturbed still-life.
The young man sits
by the table,
framed
         by the broken,
         opaque window
                           in parchment filtered light.
Six foot body bent,
        damp hair curls,
        frayed white t-shirt
                            exposes his neck
Rumpled khaki shorts
                            make a lap for clenched fists
His tears drop
                            one by one
          like first rain on dry mud.

 

Wet November evening in Budapest:
        Steamed cafe windows line Molnar Ute.
        Rivulets of water in Trolly Tracks
                           wash over soot encrusted brick streets
                           Toward Pest Food Hall.
Bridge lamps reflect on the Danube River.

 

Hungarian National Gallery.
Mihaly Munkacsy paintings hang
          in cold cavernous halls.
Silence,
only a guard in a gray lab coat
moves among soft brown landscapes,
grey toned scenes,
screams of dramatic white.

 

"The Last Day of a condemned Man."
A cell in shadowed background
A shaft of light
          illuminates the prisoner's peasant shirt
                              and thrown a bible.
Clenched fists rest upon the table,
head bowed,
eyes closed.

 

Did his tears drop
                            one by one
upon the white table cloth?

 

Five A.M. Peace Movement

by Elizabeth A. Olejnyik


A diluted indigo light
remains from nighttime
and lingers in the house and garden.

Awake I sit and wait
until quiet seeps into the bowl of my being.
Peace-filled, my day begins.

______________________________________________

BATS IN HATS

by Rose Tolstoy

 

iF YOU See a BAT
wearing A HAT FLYIng iN the MOON Light
Then RATS would SqueeK
AnD DOGS PoOing on logS

______________________________________________

untitled

by Robert Slattery

 

so?
do we begin here?
or begin again?
tracks followed
on the rise to wonder
safely continue
to spill
again and again
into wonder-firmament
and in this
goes the stuff
of all past
and?
so now?

misted in
adult stupid shit
the beginning
fades dimly
and fall
shades itself
in the getting away
of its own

subtuberent sea gulls
(but they have a thing)
moving thru their life
and along the way
don't care
-learn from them

yes
acorn simplicity
was here
changing places
with the
new days
ago walkin'
out of warm house
walkin' thru
cool reaindrizzle
down down
the rising path
so long ago

                november 2001
                edited august 2004

 

 


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